Is there a way of getting to a “best recording” choice? harpsichord: Alan Curtis (harpsichordist, musicologist, and conductor) recording of: Goldberg-Variationen, BWV 988: Aria: Related works Goldberg-Variationen, BWV 988: Aria. This brings much more clarity to the contrapunct writing and to the playful ornaments in the repeats – This time even more daring than the Decca version. The same applies to the added ornaments in repeats – hear how well suited and appropriate they sound on var. But it can hardly be considered as one of the best versions. The only question is whether the listener will be taken by Schiff declaratory phrasing. Her treatment of the repeats are still rather controversial; She opts for changes in phrasing, voicing and dynamics rather than a brilliant ornament. The sustaining pedal is almost entirely dispensed with, using the acoustic of the hall as a tool for a cantabile sound. 5.0 out of 5 stars The best Goldberg Variations recording ever. Zhu Xiao-Mei has many admirers worldwide, partially because of her unique biography and documentaries made of her life. Maria Tipo’s take on the variations from the late 80’s (EMI-Warner) is commendable, with some nice voice coloring and intricate pedal work. Luckily, the latest evolution of the classical music streaming services has brought it back to the catalog. As covered in the first part of this guide, Bach left very little instructions regarding tempo and phrasing in the score, so they are left to the discretion of the performer. The result is fascinating, still steers controversies and demands to be heard. If you are willing to pay the price, that is. Her later, digital recording on Deutsche Gramopphon (1999) sounds the best technically, but Tureck in her mid-eighties lacks the focus and technical command of her younger self. This review compares the sonic quality and technical aspects of three recordings, to … It’s now sold separately by Sony and can be appreciated solely on its own. It should be in every collection for a lifetime of enjoyment. Also from the same period, we have some unfortunate version by a great artist that is clearly out of his element, even on his second attempt at the piece. Glenn Gould's exciting and career-starting 1955 recording of JS Bach's Goldberg Variations currently exists in several versions. The rest will and should be in the hands of the listener and his or her journey with the piece. Hewitt clearly sees the “black pearl” variation as an emotional highlight of the piece, and here her intent is much better projected than the early recording. But it was Wanda Landowska who has made the first real recording (1933), on a harpsichord. Released 26 July 2004 on Sony Classical (catalog no. He was asked to play to the count when the latter suffered from insomnia. As is true of most of Bach’s works, everybody wants a chance to play it, no matter what instrument it was originally intended for. Listening to Nicholas Angelich, there is never a doubt about his technical command of the piece and the instrument. Regrettably, his handling of the repeats is sometimes intrusive, and the performance loses the momentum in the second half. Like her other second takes for the British label (Namely the Well-Tempered Klavier), there is a sense of freer movement and additional purpose to the performances. Her two versions of the Goldbergs I find somewhat cold and indifferent. Schiff continued to record the complete keyboard repertoire for Decca over the next few years, but this Goldberg Variations still remains one of the highlights of the cycle. Juni 2018. 7: Bach: The Goldberg Variations: Goldberg Variations BWV 988: Glenn Gould (Piano): Sony: Apr 22 - May 29, 1981: CD / TT: 51:14: Recorded at 30 th Street Studio, New York City, NY, USA. Genius. All of the Arrau hallmarks are omnipresent, including his sometimes rigid handling of fast-paced elements, or his tendency to get slow and heavy as a device to emphasize “depth of feeling”. 5,0 de 5 estrellas The very best Goldberg possible. It’s one of the iconic records in the history of classical music recordings and should be in every collection.But judging Gould’s performance solely on musical grounds, it’s not necessarily one of the best Goldberg Variations versions. Lori Sims presents a “live” version in all sense of the word; There is a lot of spontaneity, extra excitement, obvious audience noise and, let’s admit it, some missteps that would have been corrected in studio conditions. The increased maturity of his interpretation over the 1992 recording is apparent in the richer emotional palette, improvisatory presentation, and variety of tempos. It should be in any respectable classical music collection. For Hewitt admirers, then, the second version on Hyperion is the way to go. Hear how the pianist created his definitive, career-making 1955 recording of Bach’s “Goldberg” Variations — one misstep at a time. The main downside of this release is a little lack of spontaneity; … In 1955, at age 22, Canadian pianist Glenn Gould signed a recording contract with Columbia Records and recorded the Goldberg Variations. The Goldberg Variations (1955 Recording), a classical music Album by Glenn Gould. Angela Hewitt first recording (1999) is very attractive with its clarity, beauty of tone and wise tempo choices. Completed in a total of only four days and released in January 1956, Glenn Gould’s début recording of Bach’s Goldberg Variations is without doubt one of the most significant and successful classical recordings in the history of the gramophone record. Maybe this: there is a sense of exploration, traveling through all the intricacies of the human experience. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. On 14th September 2020, Lang Lang will realise a lifelong dream of recording Bach’s monumental Goldberg Variations. Verified Purchase. Bach's Goldberg Variations. The Classic Review was launched in 2018 for classical music lovers around the globe. Lang Lang records Bach’s Goldberg Variations. Playing Bach’s Goldberg Variations on the piano exhibits enormous challenges; It seems that the additional possibilities this instrument has over the Harpsichord can even be considered an obstacle, rather than an advantage. 7 th recording of Goldberg Variations BWV 988 by G. Gould. Tatiana Nikolaiva’s first recorded the piece in the late 70’s for the Melodia label, one of few live and studio recordings by this great Russian artist. This is another severe, serious version, but one which is much more flowing and natural than Tureck. And this is projected not only through the broad tempi she adopts. Charles Rosen’s version (Sony, 1969) is effective, calm, assured, maybe too “ordinary” and lacking in memorable moments. Feb-03-2010, 01:05 #3 But let us talk about the big grand piano in the room – Glenn Gould.Gould’s 1955 mono recording of the variations brought it back to fashion, being a huge commercial success and brought fame to the Canadian which lasted till the end of his short life. The availability of some of these recordings is somewhat problematic, so it was difficult to recommend the best version for Nokolaiva’s admirers. Rather disappointingly, Chen rerecording of the piece in the more up-to-date Teldec Studio in Berlin (2001) took the other opposite in regards to repeats, ornamentation and exploratory territory, and the results are forced and unnatural. There is much more maturity in this version, without scarifying one bit of the spontaneity and true wonder and fascination of the piece. However, I am absolutely in love with all of the Bach recordings of Perahia that I have thus far listened to (Goldberg Variations, English Suites Nos. With all of its oddities, it’s a great version. Maybe she would treat us with a new, better-recorded version of the Goldbergs some day. composer: Johann Sebastian Bach … This version of the Goldbergs seems to have everything – spirituality, technical command, a real sense of structure and harmonic tension, carefully observed voice leading and a dash of playfulness. Levit also finds the right balance between a full continuous rhythm and a small breathing space for each variation. There is also some emotional intensity when called for, such as in variation 21, and tender flexibility in the “black pearl” variation, No. 7: Bach: The Goldberg Variations: Goldberg Variations BWV 988: Glenn Gould (Piano): Sony: Apr 22 - May 29, 1981: CD / TT: 51:14: Recorded at 30 th Street Studio, New York City, NY, USA. 9, “L’Addio” – Antonini, Editor’s Choice: The Best New Classical Music Albums, February 2021, Bach Goldberg Variations – The Best Recordings – Part 2 – Harpsichord Versions, Study: Millennials, Investments and classical music, Third Attempt – Bach 6 Cello Suites By Yo-Yo Ma, Review: Bach – “Soli Deo Gloria” – Cantatas 21,76 – Collegium Vocale Gent, Ricercar Consort, Pierlot, Review: Trio Zeliha plays Mendelssohn, Shostakovich, Arensky, Review: Behzod Abduraimov Plays Debussy, Chopin Mussorgsky, Review: Charles Ives – Complete Symphonies – LAPO, Dudamel, Review: “labyrinth” – David Greilsammer, Piano, Review: Hammerschmidt – “Ach Jesus Stirbt” – Vox Luminis, Meunier, Read of the latest news in classical music, Looking for the best version of a classical music piece? She is also unapologetically pianistic, incorporating noticeable crescendos and diminuendos, not available on instruments in Bach’s time, though her usage of the sustaining pedal is spare.

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